Here it is
Sep. 10th, 2007 03:09 pmTHEATRE
All scat and no logic
King Turd the Great
Collingwood Arts Park
No stars
In short: You can't polish a King Turd.
THERE is nothing -- nothing -- redeeming about this play. Even calling it a play suggests it has a plot or a point, when this sorry mess is devoid of either.
From the opening fart joke -- yes, the first soliloquy belongs to a bottom -- it's fairly obvious the team behind this quasi-contemporary rehash of Alfred Jarry's Ubu Roi -- itself a satire of Macbeth -- has worked tirelessly to discard any semblance of coherence or value present in the original texts.
What is left is an orgy of self-indulgence with the same artistic merit as a bunch of screaming two-year-olds fighting for the fairy bread at a birthday party.
While it is usual for a review to briefly summarise the plot, that is almost impossible with this work. Much like Macbeth, Pa Ubu kills a king and becomes King Turd.
What follows is a directionless, infantile monstrosity with delusions of scathing political commentary.
Pieces like this give theatre a bad name and reinforce any argument about slashing arts funding. Any government faced with the possibility of accidentally paying for something like this would rightly refuse to hand over another cent.
Most devastatingly, this cast is not entirely without talent. If they had put a fraction of the energy they did creating their characters into questioning the material they were asked to work with, nonsense like this would never make it past being a doodled sketch in a boring lecture.
Sunday Herald Sun (Melbourne, Australia)
September 9, 2007
Author: KATE ROSE
Edition: 1 - FIRST
Section: IE
Page: E19
Copyright, 2007, Nationwide News Pty Limited
Record Number: SHS_T-20070909-1-E19-57000
7
All scat and no logic
King Turd the Great
Collingwood Arts Park
No stars
In short: You can't polish a King Turd.
THERE is nothing -- nothing -- redeeming about this play. Even calling it a play suggests it has a plot or a point, when this sorry mess is devoid of either.
From the opening fart joke -- yes, the first soliloquy belongs to a bottom -- it's fairly obvious the team behind this quasi-contemporary rehash of Alfred Jarry's Ubu Roi -- itself a satire of Macbeth -- has worked tirelessly to discard any semblance of coherence or value present in the original texts.
What is left is an orgy of self-indulgence with the same artistic merit as a bunch of screaming two-year-olds fighting for the fairy bread at a birthday party.
While it is usual for a review to briefly summarise the plot, that is almost impossible with this work. Much like Macbeth, Pa Ubu kills a king and becomes King Turd.
What follows is a directionless, infantile monstrosity with delusions of scathing political commentary.
Pieces like this give theatre a bad name and reinforce any argument about slashing arts funding. Any government faced with the possibility of accidentally paying for something like this would rightly refuse to hand over another cent.
Most devastatingly, this cast is not entirely without talent. If they had put a fraction of the energy they did creating their characters into questioning the material they were asked to work with, nonsense like this would never make it past being a doodled sketch in a boring lecture.
Sunday Herald Sun (Melbourne, Australia)
September 9, 2007
Author: KATE ROSE
Edition: 1 - FIRST
Section: IE
Page: E19
Copyright, 2007, Nationwide News Pty Limited
Record Number: SHS_T-20070909-1-E19-57000
7